Duncan Coker likes to leave a little distance between himself and the characters that narrate his songs. That way he’s free to imagine himself as a long haul trucker, a cowboy or a young singer with dreams of a Nashville music career. He can put himself back a decade, feign an accent or wind up on a different side of the continent. Whatever it takes to move the story forward. What else is songwriting but real feelings channeled through fiction? Every character a sideways version of its author but in another multiverse. 

Still, Coker’s songs are true-to-life. He keeps his antenna up, always looking for the signals in the noise. He is a stenographer of the human condition. You might even catch him in the dairy aisle, thumb-typing a phrase he overheard into his phone, destined for a spot in his next verse. Coker’s songs also grapple with the realness of life—the loss of his father or his love for his wife Julie. He enjoys the puzzle of conveying big emotions with a few choice words that rhyme. 

Duncan was born in the South Carolina lowlands and raised in New Jersey. He was the standout soprano in his all-boys church choir. But when Coker’s voice dropped an octave, he left the pews and found his sanctuary in a friend’s converted garage, plugging in his Fender Squier and turning the amp up loud. As a Jersey teen, Springsteen’s working-class anthems were too cliché, so Coker tuned the radio dial to 102.7 to hear Floyd, Zeppelin, Yes and Rush on WNEW. Classic rock before it was classic. To this day, those timeless chords shapes still evoke his childhood bedroom—radio blaring, guitar in hand, windows wide open to the river running out back of his rustic cedar shake home. 

Coker’s debut, self-titled album has been a long time coming. He has spent years honing his craft in coffee houses and songwriting circles in Boulder, Colorado, where he lives with his wife and two daughters. He’d show up every week, guitar in hand, with a newly-penned song and an openness for feedback from his enthusiastic peers. The support and accountability of this tight-knit community was crucial to his development. Now in his mid-50s, Coker doesn’t mind blooming late. He has a lot of life to put into these songs—tending heartbreaks, raising teenagers, planting a garden. They say that late harvest grapes make a fuller wine. The new album is a case of them. 

With every song penned in the last year, Coker’s debut is a chronicle of this particular era of his life. If there’s a throughline, it’s the act of building bridges—from the past to the present; from one person to another; and from his heart to yours. This theme is spelled out most clearly when he sings, “Wish I could build a bridge to places that are gone.” Or in his song, “Carried Away,” about the chaos of fighting and making up that comes afterwards. The album features local greats like Carolyn Hunter (Dan Rodrigeuz) and Charlie Rose (Elephant Revival).

Coker plays clubs, venues and festivals around the West. He has opened for nationally touring artists (The Takes, Alex Jordan) and been featured on KRFC Ft. Collins and KBCO Boulder. He has performed at Boulder’s Roots Music Project, the Wildflower Pavilion in Lyons and famed Herman’s Hideaway in Denver. He is currently working on his second album due out in 2026.

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